Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Francis Swaine
A yacht and a small man-o-war in a calm river near a church
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ID: 44771

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Francis Swaine A yacht and a small man-o-war in a calm river near a church


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Francis Swaine

1720-1783,English painter and draughtsman. He worked as a messenger for a department of His Majesty's Navy in 1735 and seems to have been practising as a marine painter by the late 1740s, but there is little trace of his place in London's art world until his regular contributions from 1761 to the exhibitions of both the Free and Incorporated Societies of Artists. He was awarded the Society for the Encouragement of Arts' second prize for sea-pieces in 1764 and again in 1765. 'About the year 1770', reported Edwards, 'he painted the face of a wind-dial, with sea and ships, which he executed with a great neatness'   Related Paintings of Francis Swaine :. | A wooded river landscape in Hoolland with a Dutch hooder under sail in a brisk wind | An English two-deker and a Dutch barge at anchor off a coastal fort | A royal yacht and small naval ship in a calm | Men-o-war sailing in choppy waters | A drawing of a British two-decker off Calshot Castle |
Related Artists:
TIZIANO Vecellio
Italian painter, Venetian school (b. 1490, Pieve di Cadore, d. 1576, Venezia).
Jochem de Vries
painted The Zaandam shipping company Claes Tan en Zns Greenland farer Zaandam whaling in 1772
REYNOLDS, Sir Joshua
English Rococo Era Painter, 1723-1792 English painter, collector and writer. The foremost portrait painter in England in the 18th century, he transformed early Georgian portraiture by greatly enlarging its range. His poses, frequently based on the Old Masters or antique sculpture, were intended to invoke classical values and to enhance the dignity of his sitters. His rich colour, strong lighting and free handling of paint greatly influenced the generation of Thomas Lawrence and Henry Raeburn. His history and fancy pictures explored dramatic and emotional themes that became increasingly popular with both artists and collectors in the Romantic period. As first president of the Royal Academy in London, he did more than anyone to raise the status of art and artists in Britain. His Discourses on Art, delivered to the students and members of the Academy between 1769 and 1790,






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